niall logan

ardnamurchan lighthouse and sanna bay
£595.00
20.0 x 50.0 cm
two arches, much snow
£595.00
24.0 x 34.0 cm
strontian river in spate
£595.00
24.0 x 34.0 cm
loch sunart from ardslignish
28.5 x 38.5 cm
kentra bay, ardnamurchan
30.0 x 40.0 cm
ardnamurchan beach
30.0 x 40.0 cm
kilmalieu bay, loch linnhe
24.0 x 32.0 cm
autumn in ardgour
24.0 x 35.0 cm
ben nevis from ardgour
29.0 x 38.0 cm
camus an lighe - the singing sands, ardnamurchan
34.0 x 44.0 cm
garbh beinn & coire an lubhair, ardgour
29.0 x 38.0 cm
loch sunart
26.0 x 34.5 cm
loch linnhe - winter afternoon
34.0 x 24.0 cm
loch linnhe - midwinter shore
24.0 x 34.0 cm
ariundle woods
33.0 x 27.0 cm
niall logan

Niall Logan (1954–2024) was a gifted Scottish landscape painter. Originally from Bristol, he relocated to Glasgow in the early 1980s to lecture in bacteriology, eventually settling in the rural parish of Baldernock. The Scottish landscape, with its distinctive architecture and rich archaeology, ignited his artistic passion, leading him to take up painting. Upon retirement, this new-found pursuit blossomed from a pastime into a full-fledged creative endeavour. Initially working in watercolour, he quickly gravitated towards the richness of oil paint, finding its dynamism perfectly suited to the texture of linen, his preferred canvas. Logan’s subjects were often chosen for their visual impact, striking light, dramatic weather, or ephemeral beauty. His artistic goal was to capture the quintessential Scottish scene, an aim he consistently achieved.  A frequent visitor to Resipole and its environs, Logan’s deep affection for the western Highlands is palpable in his stunning paintings.

niall logan

Niall Logan (1954–2024) was a gifted Scottish landscape painter. Originally from Bristol, he relocated to Glasgow in the early 1980s to lecture in bacteriology, eventually settling in the rural parish of Baldernock. The Scottish landscape, with its distinctive architecture and rich archaeology, ignited his artistic passion, leading him to take up painting. Upon retirement, this new-found pursuit blossomed from a pastime into a full-fledged creative endeavour. Initially working in watercolour, he quickly gravitated towards the richness of oil paint, finding its dynamism perfectly suited to the texture of linen, his preferred canvas. Logan’s subjects were often chosen for their visual impact, striking light, dramatic weather, or ephemeral beauty. His artistic goal was to capture the quintessential Scottish scene, an aim he consistently achieved.  A frequent visitor to Resipole and its environs, Logan’s deep affection for the western Highlands is palpable in his stunning paintings.