Brian Henderson

yellow betty
£1,350.00
27.0 x 34.5 cm
two pairs
£1,350.00
34.5 x 27.0 cm
rose
£950.00
19.5 x 24.5 cm
poppy
£950.00
19.5 x 24.5 cm
iceberg
£1,350.00
26.5 x 34.0 cm
speckled egg and falling feather
20.3 x 25.4 cm
tea
29.5 x 39.5 cm
evolution
34.5 x 27.5 cm
five figs
20.3 x 25.4 cm
fiddle and whisky
34.0 x 26.5 cm
ardnamurchan
34.0 x 26.5 cm
box of pears
20.3 x 20.3 cm
two eggs and a feather
12.7 x 17.8 cm
teacakes and wrapper
12.7 x 17.8 cm
single malt
35.5 x 28.0 cm
peaches and torn bag
28.0 x 35.5 cm
two figs
28.5 x 35.5 cm
pair of lemons
20.5 x 25.5 cm
pointing figure
20.0 x 25.5 cm
floodlit flapper
25.0 x 20.0 cm
fiddle with broken string
25.0 x 20.0 cm
coffee break
20.0 x 54.0 cm
Two Washed Pears
20.5 x 25.5 cm
Two Pears On a Box
25.5 x 20.5 cm
Three Russet Apples
20.5 x 25.5 cm
Falling Feather
25.5 x 20.5 cm
Strings
30.5 x 40.5 cm
Water
30.5 x 40.5 cm
Plastic Figures
15.0 x 21.0 cm
Six Plums
14.9 x 20.0 cm
Rum Punch
14.8 x 21.0 cm
Oak Leaves
14.8 x 21.0 cm
Tall Pear
21.0 x 14.8 cm
Metal Mickey
14.8 x 21.0 cm
Head
21.0 x 14.8 cm
Brian Henderson
Brian Henderson

Brian was born and educated in Edinburgh, completing his post-graduate diploma at Edinburgh College of Art in 1976.  He spent most of his working life as an art teacher in Shetland, while painting and exhibiting in Shetland, mainland Britain and abroad.  Now he has returned to live in Edinburgh.

After a period concentrating on figurative work, he gradually turned to still life.  He likes to arrange carefully chosen objects on a table top or plinth; these are lit using a combination of artificial and natural light to create a desired atmosphere.  He is interested in the effects of light on materials of varying texture and translucency.  The relationships between objects can create feelings of calm or tension, and though the paintings are executed realistically, a great deal of exaggeration, omission and invention goes into each composition.

Brian Henderson
Brian Henderson

Brian was born and educated in Edinburgh, completing his post-graduate diploma at Edinburgh College of Art in 1976.  He spent most of his working life as an art teacher in Shetland, while painting and exhibiting in Shetland, mainland Britain and abroad.  Now he has returned to live in Edinburgh.

After a period concentrating on figurative work, he gradually turned to still life.  He likes to arrange carefully chosen objects on a table top or plinth; these are lit using a combination of artificial and natural light to create a desired atmosphere.  He is interested in the effects of light on materials of varying texture and translucency.  The relationships between objects can create feelings of calm or tension, and though the paintings are executed realistically, a great deal of exaggeration, omission and invention goes into each composition.